www.mo-artgallery.com 

SUNDAY editions

 

SUNDAY # 001 (november 29th 2009)

MARK LUYTEN

Rhetorics (The Studio 1995 − 2009), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2009

please contact gallery for price

 

 

SUNDAY # 002 (january 17th 2010)

FRANCOIS CURLET

Sunday Morning, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

please contact gallery for price

 

 

SUNDAY # 003 (march 14th 2010)

SOPHIE NYS

Exhibition, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

please contact gallery for price

 

 

SUNDAY # 004 (may 23rd 2010)

DENICOLAI & PROVOOST

Times, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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SUNDAY # 005 (july 18th 2010)

WILLEM OOREBEEK

after blackout (la grasse matinée), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

please contact gallery for price

 

 

SUNDAY # 006 (september 26th 2010)

DORA GARCIA

men I love, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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SUNDAY # 007 (november 21st 2010)

INAKI BONILLAS

Tineidae: Sermones del ilustrísimo señor, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

please contact gallery for price

 

 

 

SUNDAY # 008 (december 19th 2010)

MAURIZIO NANNUCCI

Art is not intended, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

SOLD OUT

 

 

ART IS NOT INTENDED TO 

BE PERFECTLY TRANSPA

RENT IN MEANING / IT IS 

A DISCONTINUOUS INTE

RACTION BETWEEN MAN

AND THE ENVIRONMENT
/ A GAME BETWEEN ORD

ER AND DISORDER / OPP

OSITION BETWEEN LIMIT

S AND TRANSGRESSION /
AN EXCHANGE BETWEEN 

CENTER AND PERIPHERY /
WHERE IMAGES ARE RE

PLACED BY NEW FORMS 

OF LANGUAGE

 

SUNDAY # 009 (march 13th 2011)

LIAM GILLICK

Social centre in the centre, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

please contact gallery for price

 

 

By making the abstract

concrete, art no longer

retains any abstract quality,

It merely announces...

A constant striving for a 

state of abstraction and in 

turn produces more 

abstraction to pursue...

It is this failure of the 

abstract that lures and 

hypnotises – forcing itself 

onto artists and demanding 

repeated attention..

The abstract draws artists 

towards itself as a 

semi-autonomous zone just 

out of reach...

 

It produces the illusion of a 

series of havens and places 

that might reduce the 

contingent everyday to a 

sequence of distant 

inconveniences...

It is the concretization of 

the abstract into a series of 

failed forms that lures the 

artist into repeated 

attempts to “create” the 

abstract...

Fully aware that this very

act produces things that 

are the representation of 

impossibilities...

 

 

The abstract is a realm of 

denial and deferment – a 

continual reminder that 

varied acts of art have 

taken place and the authors 

were probably artists.

 

AGLAIA KONRAD

SUNDAY # 010 (june 5th 2011)

-en bloc, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

please contact gallery for price

 

 

Marmor

Stein &

Eisen

bricht

 

JONATHAN MONK

SUNDAY # 011 (august 28th 2011)

& opened by you, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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sealed & stamped by Amélie Laplanche
at MOREpublishers, Boulevard Adolphe Max 144 – 1B
1000 Brussels, Belgium

& opened by you

& signed & numbered by Jonathan Monk
using a Black BIC M10 clic Ball Pen

& printed on multi-offset 120 gram paper by Oswald Deckmyn
using NOVAVIT F100 K+E on a Heidelberg Speedmaster CD 72 x 102
at Guido Maes printing Deluxe, Frans Uyttenhovestraat 51
9040 Ghent, Belgium

& folded by Geert Dutré using a Heidelberg Stahlfolder TH 82
at Guido Maes printing Deluxe, Frans Uyttenhovestraat 51
9040 Ghent, Belgium

& posted to you by Tim Ryckaert
from Brussels De Broeckere, Boulevard Anspach 1
1000 Brussels, Belgium

LIEVEN DE BOECK

SUNDAY # 012 (october 9th 2011)

Néant, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

€ 70,-

 

 

MARIJKE WARMERDAM

SUNDAY # 013 (december 4th 2011)

Gestreken en gevouwen, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2011

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JOCHEN LEMPERT

SUNDAY # 014 (february 12th 2012)

Untitled, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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PIERRE BISMUTH

SUNDAY # 015 (march 11th 2012)

Aphorisms from 1999 and 2011, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2012

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Everybody is an artist but only the artist knows it. (© pierre bismuth 1999)

Technological development is for the time being mankind’s only future (© pierre bismuth 2011)

 

ROBERT BARRY

SUNDAY # 016 (may 12th 2012)

Something that is.................., offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2012

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SOMETHING THAT IS HARDLY ANYTHING AT ALL

 

ANRI SALA

SUNDAY # 017 (september 9th)

CLØCKS, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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GABRIEL KURI

SUNDAY # 018 (november 4th 2012)

Untitled (All knowledge resolves itself into probability), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm.) folded to A4 (29.7 x 21 cm.), edition 100, signed and numbered, 2010

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LEONOR ANTUNES

SUNDAY # 019 (25 november 2011)

Untitled, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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MANFRED PERNICE

SUNDAY # 020 (january 20th 2013)

Tapir, 2 green stamps on offset print, on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2012

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KIRSTEN PIEROTH

SUNDAY # 021 (february 24th 2013)

Untitled (Eggs), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2013

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Coronation Egg, made for Nicholas II, C. ;Fabergé’s firm, 1897
Aqua Liquid Egg Clock, China, early 2000s
Oval picture frame, France, 1900s
Anonymous egg drawing
Magazine advert for Chase Manhattan Bank, 1959

Mosaic Egg, C. Fabergé’s firm, 1914
Advert for I. Miller shoe company, Andy ;Warhol, late 1950s
Unknown source
Cockerel Egg, C. Fabergé’s firm, 1900

Unknown source
Renaissance Egg and Resurrection Egg, C. ;Fabergé’s firm, 1894
Anonymous egg drawing
Design for Cybertecture Egg, office building in Mumbai, James Law, 2008

Nécessaire Egg, C. Fabergé’s firm, 1889
Eggs, photograph, Andy Warhol, 1982
Magic Hatching Dinosaur Egg, China, 2000s
Spatial Construction No.12, Alexander Rodchenko, c.1920
Roy Chapman Andrews and George Olsen unearthing dinosaur eggs, c.1923
Egg crate, 1960s

 

CLAIRE FONTAINE

SUNDAY # 022 (march 22nd 2013)

The House of Energetic Culture (Pripyat, December 1985), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches, edition 100, signed and numbered, 2013

please contact gallery for price

 

"For the attention of the residents of Pripyat!

The City Council informs you that due to the accident at Chernobyl Power Station in the city of Pripyat the radioactive conditions in the vicinity are deteriorating. The Communist Party, its officials and the armed forces are taking necessary steps to combat this. Nevertheless, with the view to keep people as safe and healthy as possible, the children being top priority, we need to temporarily evacuate the citizens to the nearest towns of Kiev Oblast. For these reasons, starting from April 27, 1986 at 2 p.m. each apartment block will be able to have a bus at its disposal, supervised by the police and the city officials. It is highly advisable to take your documents, some vital personal belongings and a certain amount of food, just in case, with you. The senior executives of public and industrial facilities of the city has decided on the list of employees needed to stay in Pripyat to maintain these facilities in a good working order. All the houses will be guarded by the police during the evacuation period. Comrades, leaving your residences temporarily please make sure you have turned off the lights, electrical equipment and water off and shut the windows. Please keep calm and orderly in the process of this short-term evacuation."  

Evacuation notice, April 27, 1986

STEFAN BRUGGEMANN

SUNDAY # 023 (may 19th 2013)

THIS WORK IS REALIZED WHEN IT IS BURNED, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2013

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RYAN GANDER

SUNDAY # 024 (june 6th 2013)

Unfortunately that street is in 1983 and blocked off by police tape, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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On front text FIRSTNESS, SECONDNESS AND THIRDNESS.

On back side instruction to install the work:

Using a plant spray, fully saturate the sheet evenly and allow to dry horizonally on a clean white towel. 

The sheet should be wrinkled representing a ‘look’ akin to water damage.  Repeat the saturation and drying process until the ‘look’ is achieved. 

Then afix the sheet to the wall using black gaffa tape strips right across the top and the bottom of the sheet. 

The work should be exhibited with this side to the wall.

 

CLAUDE CLOSKY

SUNDAY # 025 (september 2013)

2 Constellations, double sided offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2013

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TRIS VONNA-MICHELL

SUNDAY #26 (november 17th 2013)

Obscolescence, 2 colour offset print on multi-offset, 120 grams, in a brown envelope, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches), folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition of 100, signed and numbered colophon page, 2013
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CORY ARCANGEL

SUNDAY # 027 (january 26th 2014)

NR ( ), offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010

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MICHEL FRANCOIS

SUNDAY # 028 (march 7th 2014)

Plié, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

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KARL HOLMQVIST

SUNDAY # 029 (april 9th 2014)

Family Day At The Factory; Gay Kid Visits His Father’s Workplace, 1972, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

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WALID RAAD (the Atlas Group)

SUNDAY # 030 (june 16th 2014)

Translator’s Introduction, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

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I was recently taken aback by how most paintings on display in the Arab Museum of Modern Art in Doha lack some (but not all) reflections and shadows. 

I decided to provide some. I am hoping that the reflections and shadows in my photographs will eventually leave my works and attach themselves to the paintings in the museum.

THEA DJORDJADZE

SUNDAY # 031 (august 2014)

Untitled, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

please contact gallery for price

 

 

THOMAS BAYRLE

SUNDAY # 032 (october 5th 2014)

Happy days are here again, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

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JASON DODGE

SUNDAY # 033 (december 28th 2014)

A moon calender for 2015, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

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JOHANNES WOHNSEIFER

SUNDAY # 034 (february 22nd 2015)

Between Your Legs, duotone offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2015

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YANN SÉRANDOUR

SUNDAY # 035 (april 10th 2015)

Barrel Shaped Cactus With Flower, A1 double sided offset print folded to A4 booklet bound together with yellow elastic band, unfolded 59.4 x 84.1 cm. /23.2 x 33.1 inches, folded 29.7 x 21 cm. /11.7 x 8.3 inches, edition 100, signed and numbered inside the booklet, 2015

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OLAF BREUNING

SUNDAY # 036 (june 26th 2015)

don't worry, duotone offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2015

please contact gallery for price

 

 

 

SYLVIE FLEURY

SUNDAY # 037 (october 18th 2015)

Life Can Get Heavy Mascara Shouldn't, 3 colour offset print on multi-offset 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2015

please contact gallery for price

 

 

THOMAS HIRSCHHORN

SUNDAY # 038 (january 7th 2016)

Un-Shared Authorship, 2 layer offset print, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2009

please contact gallery for price

 

 

WILLEM DE ROOIJ

SUNDAY # 039 (february 27th 2016)

Michelle Obama (*), offset print on multi-offet, 120 grams, A2 (42 x 59.4 cm. /16.5 x 23.4 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2015 , edition 100, signed and numbered, 2016

(*) image: Official portrait of First Lady Michelle Obama, 2013. Photo by Chuck Kennedy.

please contact gallery for price

 

 

OLAF NICOLAI

SUNDAY # 40 (june 16th 2016)

Planetarium, one sided black silhouette paper, 80 grams, perforated by hand (23 holes), A1 ( x 84.1 x 59.4 cm. / 33.1 x 23.4 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, each copy unique, signed and numbered, 2016
please contact gallery for price

 

  

 

 

KATINKA BOCK

SUNDAY # 41 (october 14th 2016)

Between arrival and departure, double sided offset print on multi-offset 120 gr., A1 (x 84.1 x 59.4 cm. /33.1 x 23.4 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, each copy unique, signed and numbered, 2016

please contact gallery for price

 

  

 

PABO BRONSTEIN

SUNDAY # 42 (november 27th 2016)

Design for Urns in the Crypto-Fascist Taste, double sided offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2016

please contact gallery for price

 

  

___________________________________________

SUNDAY is an editorial project published on a bi-monthly basis. A standard format was developed specifically for this project, in which an artist is invited to conduct an intervention, re-think a work, or make an adaptation.

SUNDAY is a cross between a publication, an artist’s edition, a multiple, and an exhibition.

A foldable exhibition platform, a poster-like monograph, an artwork edition, .........

An A1-size poster folded to A4 size, a colophon, bundled in an envelope.

_____________________________________________

HORS SERIES

 

KOEN DEDOBBELEER

Hors série # 02 

still in progress

 

SYLVIE EYBERG

Hors série # 03 (25/09/2011)

Tasloco, silkscreen (red/pink/grey) on Symbio Mat Coated 120 grams, a selection from a series of large silkscreen prints 200 x 150 cm. /78.7 x 59.1 inches, made in 2003, were cut to 4 equal parts of 100 x 75 cm. /39.4 x 29.5 inches. The total edition consist of 40 (+ 4 A.P.) unique silkscreen-prints. Each print is folded by hand to 25 x 37 cm. /9.8 x 14.6 inches, and presented in a stamped, signed and numbered envelope, 2011

please contact gallery for price

 

 

JACQUES ANDRÉ

Hors série # 04 (version #1 with black & white pins Cleaver For President) (october 2011)

Cleaver for President, photocopy with 3 original politcal pins Cleaver For President (1968), 50 x 60 cm., edition 13 (5 black and white / 8 black and gold), signed and numbered, 2011

please contact gallery for price

 

 

JACQUES ANDRÉ

Hors série # 04 (version #2 with black & gold pins Cleaver For President) (october 2011)

Cleaver for President, photocopy with 3 original politcal pins Cleaver For President (1968), 50 x 60 cm., edition 13 (5 black and white / 8 black and gold), signed and numbered, 2011

please contact gallery for price

 

 

DORA GARCIA

Hors série # 06 (december 8th 2011)

What a fucking wonderful audience, offset print on Opale Pure White 120 grams, 60 x 42 cm. (A2) /23.6 x 16.5 inches, folded to 15 x 21 cm. (A1) /5.9 x 8.3 inches, edition 25, signed and numbered, 2011

please contact gallery for price

 

 

KOEN DEDOBBELEER

Hors serie # 07 (december 8th 2011)

A homemade plan, papercut, 17 x 10.5 cm., signed and numbered colophon, 2 nails, printed envelope, signed and numbered edition of 25, 2011

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STEVE VAN DEN BOSCH

Hors série # 012 (april 22nd 2012)

to From, from To, blank postcard in envelope lined with blue carbon paper, 19.5 x 13.5 cm /7.7 x 5.3 inches, signed and numbered endless edition, 2012  

A blank card is sent in a closed envelope lined with carbon paper. Each edition is sent personally by the artist, numbered and written by hand.

The received card echoes the information and other traces made on the envelope it was enclosed in, ‘compressing’ the trajectory between sender -the artist- and receiver.

please contact gallery for price

 

 

ALLEN RUPPERSBERG

Hors série # 013 (may 5th 2012)

The rise and fall of L.A., transparent 7’’ flexidisc (containing Randy Newman’s ‘I Love L.A.’, recorded backwards.), 45 rpm., full colour sleeve 18.5 x 18.5 cm./ 7.3 x 7.3 inches, edition 30, signed and numbered, 2012

please contact gallery for price

 

 

  

 

JONATHAN MONK

Hors série # 016

Push or Pull ?, object, 2 DiamondPlate™ Anodized Aluminum Door Signs on transparent perspex, 30 x 20 x 0.8 cm. 11.8 x 7.9 x 0.3 inches, edition 20, signed and numbered on certificate, 2012

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MANUEL BURGENER

Hors série # 017 (january 19th 2013)

Untitled (A4), object/sculpture, a handmade framework in which an A4 glass plate is clamped between 2 metal clamps. The glass plate is such confirmed that it crossed under diagonally. The framework is a 3 dimensional object/sculpture who plays with reflection and transparency, edition 10, signed and numbered on certificatecard, 2013. Presented in a by Manuel Burgener designed sculpture/multiple ransport-box. On one hand to send the work to store and, in a second phase as pedestal on which the edition can be presented.

please contact gallery for price

 

  

 

ALEXANDRA LEYKAUF

Hors série # 018 (january 19th 2013)

Spanische Wand / Katoptrische Experimente, 2 folded offset prints on Carta Integra 235 grs., (Katoptrische Experimente 21 x 23.2 cm. /8.3 x 9.1 inches, Spanische Wand 21 x 38 cm. /8.3 x 15 inches), edition 70, with signed and numbered certificate, prints housed in black folder, 2013

please contact gallery for price

 

  

 

 

VAAST COLSON

Hors série # 019 (march 2013)

Quests Objects, steel sculpture with wax candle + handmade rubbing on Claire Fontaine, steel sculpture 45 x 45 x 30 cm. /17.7 x 17.7 x 11.8 inches, handmade rubbing A2 format 42 x 59.4 cm. /16.5 x 23.4 inches, 75 grams, edition 10, signed and numbered, 2013

please contact gallery for price

 

  

Quest Object sculpture with candle                                                            detailed view of candle. Background: A2 rubbing.

 

  

candle                                                      installation View

 

Quest Object consists of a sculpture/candlestick that holds a candle in the shape of the artist’s head. The steel candle stick is spray painted in gray high gloss lacquer.
Quest object is accompanied by a A2 rubbing. The rubbing shows a figure/knight (Widu Gasti) holding two candles.  A figure/selfportrait that occurs in several works by Vaast Colson. The figure appears through its black background. Seemingly lit up by the candles the figure is holding.

The signed and numbered rubbing (edition of 10) is stored in the diagonal tube that holds the candle.

Simular to the drawing, the actual candle functions as an object to enlighten its close environment. To light up the drawing that can be installed alongside the sculpture.

An object to be used when one is in search of - a a quest object.

 

GERLACH & KOOP

Hors série # 023 (june 25th 2013)

Nought as Object, multiple, belt, tie-wrap, app. 20 x 15 x 5 cm., edition 8, with signed and numbered certificate, 2013

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installation view

 

ROBERT BARRY

Hors série # 025 (august 22nd 2013)

UNTITLED, digital print on 100 % silk, 65 x 90 cm., edition 12, signed and numbered edition, 2013

please contact gallery for price

 

 

INAKI BONILLAS

Hors série # 026 (september 2013)

Interiors, 19 offset prints inserted in booklet, printed on Soporset 60 gr., size booklet 12 x 16 cm. /4.7 x 6.3 inches, size prints 7 x 11 cm. /2.8 x 4.3 inches, edition 25, signed and numbered, 2013

please contact gallery for price

 

 

        

 

WOBBE MICHA

Hors série # 027 (december 2013)

An unknown man holds a porcelain plate and a pale pink newspaper in his hands likely retrieved during an investigation into their coherence, handmade glazed porcelain plate (diameter 19.5 cm. /7.7 inches), wrapped in offset print on Munken Print White 1.5 (60 x 46 cm. /23.6 x 18.1 inches, edition 16, signed and numbered, 2013

please contact gallery for price

 

 

PRATCHAYA PHINTHONG

Hors série # 029 (april 2014)

Untitled (Self Portrait), screenprint, 130 x 86 cm. /51.2 x 33.9 inches, edition 10, signed and numbered, 2014

please contact gallery for price

 

 

in plexibox

 

CHRISTOPHE TERLINDEN

Hors série # 030 (march 2014)

EXTRAGRAMMBALL, object, crumpled digital print (84 x 59.4 cm.), stored in plastic ball (ø 10 cm.), edition of 10, signed and numbered, each unique, 2014

please contact gallery for price

 

 

JASON DODGE

Hors série # 032 (march 2014)  

Electricity, object, black and white feather, edition 30 (20 black feathers and 10 white feathers), signed and numbered on certificate, 2014

The feather is to be stuck in an existing electric socket. Presented in a cupboard box.

please contact gallery for price

 

 

 

  

 

VALERIE SNOBECK

Hors série # 033 (may 2014)  

How to write, hand coloured ostrich egg, permanent marker, plastic, hand coloured wooden base, edition 10 (each copy unique), signed and numbered, 2014

please contact gallery for price

 

   

 

      

 

  

 

MANUEL BURGENER

Hors série # 034 (may 2014)

Untitled (A1 for sunday), object, wood, glass, harware, 99.5 x 75 x 12.5 cm., edition 6, signed and numbered, 2014

Produced in Bern (CH)

please contact gallery for price

 

 

 

with the LIAM GILLICK sunday edition

 

detail

 

INAKI BONILLAS

Hors séries # 036 (september 2014)

Interiors (second edition), 19 offset prints inserted in booklet and an additional digital photo print, printed on Soporset 60 gr., size booklet 12 x 16 cm. /4.7 x 6.3 inches, size prints 7 x 11 cm. /2.8 x 4.3 inches, edition 25, signed and numbered, 2014

please contact gallery for price

 

 

  

 

  

 

JOCHEN LEMPERT

Hors série # 37 (october 2014)

Godwits, offset print on Soporset paper, 250 grams, folded 13.3 x 30 cm., unfolded 13.3 x 80 cm., unfolded and standing (like a sculpture) app. 13.3 x 10 x 60 cm., edition 40, signed and numbered, 2014

please contact gallery for price

 

 

 

 

YANN SÉRANDOUR

Hors série # 39 (november 2014)

Barrel Shaped Cactus (Without Flower), black laser print on one of the 16 yellowed blank end pages, torn out from one of the 4065 copies of COLORED PEOPLE, published by Ed Ruscha, Los Angeles, 1972, 18 x 14 cm. /7.1 x 5.5 inches, edition 12, signed and numbered, 2014. Presented in an archival polyester envelope, cardboard, elastic band.

please contact gallery for price

 

 

YANN SÉRANDOUR

Hors série # 39 bis (may 2015)  

RUSCHA, Edward. COLORED PEOPLE (Los Angeles), Edw. Ruscha, 1972, artists' book with original wrappers*, with 15 colour photographs (1 double-page), 64 (of which 46 blank) pages.

*1st edition, published in 4065 copies. Missing 32 blank end pages, torn out to print the hors-série # 39 Barrel Shaped Cactus (Without Flower), otherwise in very good condition, Edw. Ruscha Editions 1959-1999, B16. 18 x 14 x 0.6 cm., archival polyester envelope, acid-free mounting board, elastic band, signed and numbered edition of 1, 2015

please contact gallery for price

 

 

 

JOS DE GRUYTER & HARALD THYS

Hors série # 40 (december 2014)  

White Element, object/sculpture, welded steel sculpture painted with white satin lacquer, 40 x 13 x 13 cm. + 2 unique drawings, each 4.5 x 5.5 cm., edition 20, signed and numbered, 2014

please contact gallery for price

 

 

FRANCOIS CURLET

Hors série # 41 (december 2014)  

Set of 4 Durbor Gaetan beer glasses (32 cl), custom printed beer mat, 19.5 x 19.5 cm., silkscreen print on 1,5 mm. wood pulp board, edition 25, signed and numbered, 2014
please contact gallery for price

 

 

JONATHAN MONK

Hors série # 43 (january 2015)

a copy of Richard Hamilton Whitley Bay, 1965/2015 

Subscribers will receive 12 postcards / one per month. The actual postcards will be sent then from Whitley Bay. The edition consists of 40 signed and numbered sets.
One year subscription:
please contact gallery for price

 

 

Jonathan Monk's edition project consists of a series of 12 postcards, sent on a monthly basis over the 12 months of 2015. The first card is titled ‘A copy of Richard Hamilton Whitley Bay, 1965’. The following card then is titled ‘Another copy of Richard Hamilton Whitley Bay 1965’, and so on.

Every month, a new reproduction will be added. The first card (to be send by the end of January) shows a reproduction of the original card by Hamilton. The reproduction was made through an analogue photo technique- by use of a traditional medium format camera. The transparency that was made with this camera served as the basis for the first postcard.

Though, by the use of offset printing, each time the card is reproduced there is a 3 mm bleed (printer's boarder cropping) that will disappear. By repeating this process 12 times, each reproduction of the previous card will be more and more in close up.

 

GUILLAUME BIJL

Hors série # 44 (january 2015)  

Sorry Multiple, several objects made by ceramic, polyester, glass and plastic, 2 champagne glasses, coffee cup, ice cream dessert and small chocolate pastry, transparent perspex pedestal 15 x 10 x 10 cm. /5.9 x 3.9 x 3.9 inches, green silk covered mdf wood plate 0.6 x 34.7 x 34.7 cm. /0.2 x 13.7 x 13.7 inches, edition 12, signed and numbered, 2015

please contact gallery for price

 

 

ALEXANDRA LEYKAUF

Hors série # 045 (april 27th 2015)

The Serial Universe, booklet composed of digital print (reproduction of Gilles Van Coninxloo, Forest Landscape, 1598), 71.5 x 107 cm. /inches, folded to 23.8 x 17.8 cm. /inches, containing 4 double sided reproductions of book covers (J.B. Priestley, I have been here before), each print 22.8 x 34.5 cm, folded to 22.8 x 17.25 cm. /inches, edition 25, signed and numbered, 2015

please contact gallery for price

 

 

KOENRAAD DEDOBBELEER

Hors série # 048 (april 2015)  

A Participation Implied by the Elipses in the Program, 4 colour silkscreen print on CMAT, 150 gr. 170 x 120 cm. /66.9 x 47.2 inches, edition 20, signed and numbered, 2015

please contact gallery for price

 

 

KATINKA BOCK

Hors série # 049 (april 2015)  

April sculpture (april 2015), 1 of 6 ceramic sculptures with blue paint, aprox. 22 x 22 x 22 cm. /8.7 x 8.7 x 8.7 inches, monotype print 50 x 65 cm. /19.7 x 25.6 inches, signed and numbered edition of 5 (+ 1 A.P.), each unique, 2015

SOLD OUT

 

 

MATHIEU MERCIER

Hors série # 50 (may 2015)

, modified reflective road sign, Ø 40 cm. /15.7 inches, edition 24, signed and numbered, 2015

please contact gallery for price 

 

 

Hors série # 52 (may 2015)

CLAUDE CLOSKY

+ jich, offset print on multi-offset, 120 gr., 82.4 x 58.6 cm. /32.4 x 23.1 inches (20.6 x 29.3 cm. /8.1 x 11.5 inches missing), folded to 20.6 x 29.3 cm. /8.1 x 11.5 inches, edition 40, signed and numbered, 2015

please contact gallery for price

 

 

Hors série # 54 (july 2015)

PAVEL BUCHLER

Revolution of the Nineteenth Century, double sided letterpress print on woodstock bianco, 140 gr., 95.5 x 51.5 cm. /37.4 x 20.3 inches, edition 26, signed and numbered, 2012 - 2015

please contact gallery for price

 

 

 

 

The edition is produced by using a complete set (100 pieces) letterpress wood type. The relative number of the letters in the set is based on the calculations of letter frequency by Samuel Morse, the inventor of Morse code. The text comes from Karl Marx, The 18th Brumaire of Louis Bonaparte:

'The social revolution of the nineteenth century cannot derive its poetry from the past, but only from the future. It cannot begin with itself, before it has shed all superstitious belief in the past. Earlier revolutions needed to remember previous moments in world history in order to numb themselves with regard to their own content. The revolution of the nineteenth century must let the dead bury the dead in order to arrive at its own content. There, the phrase exceeded the content. Here, the content exceeds the phrase.'

 

Hors série # 55 (september 2015)

JEAN-PASCAL FLAVIEN

statement house (temporary title), soundwork on cd (15'18''), 7'' offset printed record sleeve, set of 11 offset printed business cards (each 8.5 x 5.4 cm. /3.3 x 2.1 inches), edition 40, signed and numbered, 2015

please contact gallery for price

VAAST COLSON

Hors-série # 56 (september 2015)

SIZING & RESIZING - All sound intentions and then the mushroom kicks in, wall work, black vinyl lettering on vinyl transfer paper, dimensions variable, edition 15 (all in a different size), 2015

please contact gallery for price

 

 

 

MICHEL FRANCOIS

Hors série # 57 (september 2015)

Débordement, melted pewter/tin, moulded by hand, sizes vary between 10 and 15 cm. /3.9 x 5.9 inches, edition 30 (each copy unique), signed and numbered, 2015

Works are to be installed in a corner.

please contact gallery for price

 

 

 

 

 

ROSELLA BISCOTTI

Hors série # 58 (september 2015)

Are you bringing animals to the destination?, suite of 4 photographs, digital prints on Fujicolor Christal Archive Paper, paper size 41.7 x 30.4 cm. /inches, image size 30.2 x 20 cm. / inches, edition 20, signed and numbered, 2015

please contact gallery for price

 

 

PAVEL BUCHLER

Hors série # 59 (october 2015)

The Venice Biennale 10th Anniversary, offset print on sugar paper, 34 x 45 cm. / inches, edition 10, signed and numbered, 2005-2015*

please contact gallery for price

 

* Leftover table mats from Pavel Büchler's The Venice Biennale, a project for the 9th International Istanbul Biennial in 2005.

The Venice Biennale was a re-branded fully licensed bar trading under the same name, for the duration of the Istanbul Biennial, 2005. 

 

 

 

TRIS VONNA-MICHELL

Hors série # 60 (november 2015)

Scores (Japan), 19 c-prints, each 10 x 15 cm. /3.9 x 5.9 inches, mounted on Heritage Photocraft Paper, 350 grams, 192.5 x 25 cm. /75.6 x 9.8 inches, folded to 17.5 x 25 cm. /6.9 x 9.8 inches (11 parts), edition 12, signed and numbered, 2015

please contact gallery for price

 

 

NICK OBERTHALER

Hors série # 61 (november 2015)

Untitled (butterflies/distinct oscillations), polaroid, 1-k glue and acrylic glass on wooden support, approx. 20 x 30 cm.series of 8 unique copies, signed and numbered, 2015

please contact gallery for price

 

 

RAPHAËL VAN LERBERGHE

Hors série # 63 (december 2015)

Cravate, modified MDF backside of A4 photo frame, 21 x 42 x 0.7 cm. /8.3 x 16.5 x 0.3 inches, edition 20, signed and numbered, 2015

please contact gallery for price

 

 

Hors série # 66 (january 2016)

PART 1  

Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + You can call it wallpapering for, but .........., silkscreen print on steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

 

Hors série # 66 (march 2016)  

PART 2 

Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Fog Wallpaperer Wanted. No Experience Necessary, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

 

Hors série # 66 (may 2016)  

PART 3

Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Dear Editor, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

 

Hors série # 66 (july 2016)  

PART 4

Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + To-don't List, silkscreen print on Steinbach 250 grams,  65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

 

Hors série # 66 (september 2016)  

PART 5

Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Forget about the ball, silkscreen print on Steinbach 250 grams,  65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

 

GERLACH & KOOP

Hors série # 67 (june 25th 2016)

On Sundays, at five o'clock, at the exit door of the Louvre, double sided digital print, 84 x 29.7 cm. folded to A4, edition 6* / edition 20*, signed and numbered, 2016

for the numbers 1/26 - 6/26 (including oak wood base) please contact gallery for price 

for the numbers numbers 7/26 - 26/26 please contact gallery for price

 

* numbers 1-6 are accompanied by an oak-wood replica of the base

 

 

JASON DODGE

Hors série # 68 (february 2016)  

What the living do, collection of found shopping lists, wrapped in yellow silk paper, various sizes, edition 25 (unique works), signed and numbered 2016

please contact gallery for price

 

 

 

 

CLAUDE CLOSKY

Hors série # 69 (february 2016)  

F, offset print on multi-offet, 120 grams, A2 (42 x 59.4 cm. /16.5 x 23.4 inches) folded to A3 (29.7 x 42 cm. /11.7 x 16.5 inches) to be cut in 6 parts:  A3, A4, A5, A6, A7 (x2), edition 100, signed and numbered, 2016

please contact gallery for price

 

 

 

JOHANNES WOHNSEIFER

Hors-série # 70 (march 2016)

Colors in corners, acrylox 19 mm lettering with adhesive stries, overall length 100 cm. /39.4 inches, edition 7, signed and numbered certificate, 2016
Each copy of the edition is unique. The work is to be installed in a corner ("RAL" on the left wall, the reference numbers on right wall). Each copy is a unique RAL number, produced in the described colour.
The work comes with an instruction manual.

please contact gallery for price

 

 

 

MICHAEL VAN DEN ABEELE

Hors-série # 72 (april 2016)

Roman, object, sculpture, gold enamel, aluminum, concrete, edition 10, each copy unique oil lamp, signed and numbered, 2016

please contact gallery for price

 

detail

 

  

                                                                                    detail

 

YANN SERANDOUR

Hors-série # 77 (september 2016)

Distorted (essay by Daniel Buren for John Knight’s exhibition catalog Łeetsoii) – Black set, foldable beach chair, silkscreen print on 350gr/m cotton beech, wood structure, 4 different designs, each chair edition 2, signed and numbered, 2016
please contact gallery for price

 

 

 

WALID RAAD

Hors-série # 79 (november 2016)

Translator’s Introduction (German edition), recto-verso offset print and laser cut on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2016

please contact gallery for price

 

 

Translator’s Introduction (Arabic edition), recto-verso offset print and laser cut on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.2 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2016

please contact gallery for price

 

 

JONATHAN MONK

Hors-série # 80 (december 2016)

Four Details of a Swimming Costume, set of 4 offset prints on mutli offset 120gr., each 20.7 x 14.6 cm. /8.1 x 5.7 inches, edition 40, signed and numbered, 2016

please contact gallery for price

 

 

KATINKA BOCK

Hors-série # 81 (december 2016)

Common Ground, offset print on multi-offset, 120 grams, 29.7 x 42 cm. /11.7 x 8.3 inches, edition 40, signed and numbered, 2016

please contact gallery for price

 

 

OLAF NICOLAI

Hors-série # 82 (december 2016)

Luitpold (Für T.), double sided offset print on multi-offset, 120 grams, 42 x 29.7 cm. /16.5 x 11.7 inches folded to 29.7 x 21 cm. /11.7 x 8.3 inches, edition 40, signed and numbered, 2016

please contact gallery for price

 

 

LIAM GILICK
Hors-série # 83 (december 2016)

Workplace Aesthetics Might Not Be Enough, CMYK offset print on multi-offset 120 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 40, signed and numbered, 2016

please contact gallery for price

 

 

detail

 

CLAUDE CLOSKY

Hors-série #84 (january 2017)

Untitled (in the woods), set of 8 offset printed postcards 1995-2016, edition 80, signed and numbered, 2017

please contact gallery for price

 

 

 

A set of 8 postcards of random pictures of woods, combined with names of areas in Los Angeles : Inglewood, Hollywood Beverlywood, Westwood, Lynwood, Northwood, Maywood and Brentwood.

 

JIRI KOVANDA

Hors série # 90 (march 2017)    

Untitled, unprimed canvas on stretcher, 20 x 20 cm. 7.9 x 7.9 inches, + instructions*, edition 10, signed and numbered, 2017

please contact gallery for price

 

 

*Go to the garden, park or forest and collect some needles (spruce, pine, Douglas fir,…). Stick the needles into the unprimed canvas. The number of needles and the composition are to be decided by the owner.

 

YANN SERANDOUR

Hors série # 92 (april 2017)

Notes of a Painter (Black - Red - Blue - Green), series of silkscreen prints, 4 versions: Black, Red, Blue and Green, each 35 x 50 cm. /19.7 x 13.8 inches, edition 8, each version signed and numbered, 2017

please contact gallery for price

 

 
The edition was made after a previously produced multiple with the artist; 'Distorted' (essay by Daniel Buren for John Knight’s exhibition catalog Łeetsoii)- a series of foldable beach chairs, also produced in the same 4 colours. 
This new edition was made after a fragment from a text by Henri Matisse, on painting: …What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter, an art which could be for every mental worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a good armchair which provides relaxation from physical fatigue.). The fragment of the book page then again, printed in the 4 colours often used by Daniel Buren.

 

JONATHAN MONK

Hors série # 103 (december 2017)
Auto Focus Norwegian Spruce, lenticular print on forex, 29.7 x 42 x 1 cm. /11.7 x 16.5 x 0.4 inches, edition 20, signed and numbered, 2017

please contact gallery for price

 

  

 

 

For an exhibition at Atle Gerhardsen in January of 1996, I proposed that I cut down the Christmas Tree for Trafalgar Square in London for 1995*.

After numerous letters and phone calls it was agreed that I help fell the spruce – following a short journey into the snow covered forest outside of Oslo I was handed a large axe and assigned a very tall tree. To document the outcome of this project I ventured down to London to capture the majesty of this public sculpture. On an extremely cold evening between Christmas and New Year, I stood on the steps of the National Gallery with a borrowed VHS camera (stuck on auto focus), no gloves and cold feet. The resulting video footage was not included in the final exhibition – eighteen years later, this edition, is still the only visible material associated this project.

Jonathan Monk

 

* the giant Norwegian spruce has been an annual gift to London from the people of Norway since 1947, in recognition of Britain's support during the Second World War.

 

MANDLA REUTER

Hors-série # 110 (may 2018)

Thasos Snow White, sculpture, object, marble, optical fiber, marble 15 x 11 x 10 cm. /inches, optical fiber 100 cm. /inches, edition 15, signed and numbered, 2018

please contact gallery for price

 

  

 

LOUISE LAWLER

Hors-série # 121 (october 2018)

Pollyanna (adjusted to fit, distorted for the times, more) 2007/2008/2012/2018, digital print on semi-gloss paper, 59.4 x 84 cm. /23.4 x 33.1 inches, edition 30, stamped and hand numbered, 2018

please contact gallery for price

 

 

TRIS VONNA MICHELL

Hors-série # 121 (november 2018)

Material Longevities*, CMYK silkscreen print on c- mat, 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 7, signed and numbered, 2018

please contact gallery for price

 


 

*The edition was made in conjunction with a series of recent events by Tris Vonna Michell : ‘Material Longevities’ - exhibitions and screenings and a book publication. For every event an additional label with practical information was made and glued on top of the print, then- to be displayed in public, in triangular double sided poster displays.
 

PUBLIC POSTER PROGRAMS

Public Poster Program is a one year exhibition program that consists of 12 individual contributions.

Every month of 2016 an artist is invited to develop a work- a large industrial screen printed poster. Over the course of 2016 the posters will be on view, one by one in office like metal and glass vitrines that are installed  in public venues. These vitrines function as autonomous exhibition spaces with a regular time-based program.

To take of, there is a vitrine installed in the front window of MuZEE, Oostend (BE) and in the bar of MuHKA, Antwerp (BE). Over time more vitrines will be installed in Belgium and abroad. The program/exhibition will be on view simultaneously, in different  places.
Once the poster-program is completed it can be repeated endlessely, month after month, year after year

 

ROBERT BARRY

Public Poster Program # 01 (january 2016)
INCOMPLETE ..., 2 layer silkscreen on CMAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

  

 

JOACHIM KOESTER with STEFAN A. PEDERSEN

Public Poster Program # 02 (february 2016)

Department of Abandoned Futures (please join us in the past that never happened), 2 layer silkscreen print, C-MAT, 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

  

 

JIRI KOVANDA

Public Poster Program # 03 (march 2016)  

Red Armchair, 2 layer silkscreen print, C-MAT, 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

THOMAS BAYRLE

Public Poster Program # 04 (march 2016)

Cowboy Montana Kid (red/blue) - Cowboy Death Valley (black/yellow), 2 colour silkscreen print (iris print) on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

 

JONATHAN MONK

Public Poster Program # 5 (may 2016)

the magnetism of colour, 4 colour silkscreen print, C-MAT, 150 grams, package of 10 coloured magnets, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

The print is accompanied by a package of 10 colored magnets to hang the print on a metal board. The edition is signed and numbered on a adhesive label, glued on the back of the package of magnets. Once the work is installed the leftover of the package serves as a certificate.

 

  

 

 

 

WALID RAAD

Public Poster Program # 06 (june 2016)

Better be watching the clouds, 4 colour silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

  

 

 

ROB PRUITT

Public Poster Program # 07 (june 2016)

SUMMER '16, 5 colour silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

ANRI SALA

Public Poster Program # 08 (august 2016)

Chish & Fips, 2 colour silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

HAIM STEINBACH

Public Poster Program # 09 (september 2016)

Your castle in the sky, black silkscreen on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

 

HEIMO ZOBERNIG
Public Poster Program # 10 (october 2016)
Untitled, 2 layer silkscreen print (black on black) on C-MAT, 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
 
  
                                                                                    detail

 

 

STEFAN BRUGGEMANN

Public Poster Program # 11 (october 2016) THIS WORK IS DESTROYED WHEN YOU STOP LOOKING AT IT AND RESTORED WHEN YOU LOOK AT IT, silkscreen print on C-MAT 150 grams, 68 x 94 cm. /6.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

 

CLAIRE FONTAINE

Public Poster Program # 12 (december 2016)

Untitled (I can't breathe), 2 colour silkscreen print on C-MAT, 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016

please contact gallery for price

 

  

 

JONAS MEKAS

Public Poster Program # 13 (december 2016)

i wish you a very fine day / Jonas, 2 colour silkscreen print on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

JOHANNES WOHNSEIFER

Public Poster Program II (01 / january 2017)

Fractured Spectrum, CMYK silkscreen print on C-MAT 150 grams, 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

  

 

JIMMIE DURHAM

Public Poster Program II (02 / february 2017)

The World, silkscreen on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

RYAN GANDER

Public Poster Program II (03 / march 2017)

*(Ee Ouw Arh ...), 2 layers silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

RIRKRIT TIRAVANIJA

Public Poster Program II (04 / april 2017)

Untitled, 2017 (do we dream under the same sky) (poster)*, set of 3 silkscreen prints on C-MAT 150 gr., each print 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

* each copy of the edition consists of a set of 3 posters- including an English, French and Dutch translation.

 

 

WILHELM SASNAL

Public Poster Program II (05 / may 2017)

Poor Spring, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

MATTHEW BRANNON

Public Poster Program II (06 / june 2017)

Talking While Eating, 4 colour silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

AKRAM ZAATARI

Public Poster Program II (07 / july 2017)

The Third Window, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

KENDELL GEERS

Public Poster Program II (08 / september 2017)

Political Abstraction (Isandlwana), 2 color silkscreen print (mat/gloss) on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

SCOTT MYLES

Public Poster Program II (09 / september 2017)

Untitled (MORE), 2 color silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

VAAST COLSON

Public Poster Program II (10 / october 2017)

You used to be part of something (public poster edition, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

LIAM GILLICK

Public Poster Program II (11 / october 2017)

Tout va bien, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

SLAVS AND TATARS

Public Poster Program II (12 / november 2017)

Bicephalic, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

NEIL BELOUFA

Public Poster Program II (13 / december 2017)

Doing what you like is bad / good, CMYK silkscreen print on C-MAT 150gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

RICHARD PRINCE

Public Poster Program II (14 / october 2017)

Untitled (poster), 2 layers silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2016 - 2017

please contact gallery for price

 

 

HEIMO ZOBERNIG

Public Poster Program II (15 / november 2017)

Untitled, 2 white layers silkscreen print on CMAT, 150gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

RODNEY GRAHAM

Public Poster Program II (16 / march 2018)

God Bless Tiny Tim*, 2 layers silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018

please contact gallery for price

*The edition is an hommage to vocalist ‘Tiny Tim’ who took his name from a Charles Dickens’ character (a Christmas Carol)

 

DOUGLAS GORDON

Public Poster Program II (17 / may 2018)

BLOW-UP (CLOUDS), CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018

please contact gallery for price

 

 

TOBIAS REHBERGER

Public Poster Program II (18 / june 2018)

For our freedom and yours, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018

please contact gallery for price

 

SAM DURANT
Public Poster Program II (19 / july 2018)
Bloomberg Businessweek, April 11-17, 2011, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018
please contact gallery for price

 

JEAN-LUC MOULENE
Public Poster Program II (20 / september 2018)
Capsule Hole, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018
please contact gallery for price

 

  

                                        detail

 

CERITH WYN EVANS
Public Poster Program II (21 / october 2018)
Heart Sutra (Saihō-Ji)*, CMYK silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018
please contact gallery for price

* The image presents a copy of the Heart Sutra as distributed to visitors to Saihō-Ji temple in Kyoto. In order to gain admittance to the temple’s famous moss garden, visitors are requested to spend time copying the text. 

WALTER SWENNEN
Public Poster Program II (22 / november 2018)

Avis, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2018
please contact gallery for price

 

PUBLIC POSTER PROGRAMS

Public Poster Program is a one year exhibition program that consists of 12 individual contributions.

Every month of 2016 and 2017 an artist is invited to develop a work- a large industrial screen printed poster. Over the course of 2016 and 2017 the posters will be on view, one by one in office like metal and glass vitrines that are installed  in public venues. These vitrines function as autonomous exhibition spaces with a regular time-based program.

To take of, there is a vitrine installed in the front window of MuZEE, Oostend (BE) and in the bar of MuHKA, Antwerp (BE). Over time more vitrines will be installed in Belgium and abroad. The program/exhibition will be on view simultaneously, in different  places.
Once the poster-program is completed it can be repeated endlessely, month after month, year after year

 

 

INSERTS

 

LIAM GILLICK

INSERTS # 01 (march 22nd 2013)

1820, A4 folder with 8 A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013

please contact gallery for price

 

 

 

 

DORA GARCIA

INSERTS # 02 (may 2013)

What is Finnegans Wake About?, A4 folder with 8 A4 offset prints, each individually numbered (Fig.1 - Fig. 8), each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013

please contact gallery for price

 

 

 

ROBERT BARRY

INSERTS # 03 (august 22nd 2013)

SOMETHING THAT IS NOT LIKE ANYTHING ELSE..., A4 folder with 8 A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013

please contact gallery for price

 

 

SOMETHING THAT IS NOT LIKE ANYTHING ELSE AND IS NOT COMPLETELY UNDERSTOOD AND CAN SEEM FACILE BUT TO SOME HAS A FEELING OF TRUTH WITH A BITTERSWEET BEAUTY AND GRACE THAT HAS NOT YET REVEALED ALL IT'S SECRETS THAT COULD HELP EVERYONE TO UNDERSTAND HIS OR HER PLACE IN THE UNIVERSE

 

CLAUDE CLOSKY

INSERTS # 04 (september 13th 2013)

Inside the Studio, A4 folder with 8 double sided A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013

please contact gallery for price

 

  

 

  

 

JONATHAN MONK

INSERTS # 05 (november 2013)

Hands Holding Products™, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013

please contact gallery for price

 

recto

 

verso

 

JIRI KOVANDA

INSERTS # 06 (january 2014)

Pictures and abbreviations, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2014

please contact gallery for price

 

 

detail

 

JOACHIM KOESTER

INSERTS # 07 (august 2014)

By a strange prodigy, after a few minutes of contemplation, I would melt into the object gazed at and was myself transformed into that object, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2014

please contact gallery for price

 

 

PABLO BRONSTEIN

INSERTS # 08 (november 2014)

The Heavenly Spheres in the style of Nicholas Ledoux, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2014

please contact gallery for price

 

 

 

DEIMANTAS NARKEVICIUS

INSERTS # 09 (february 22nd 2015)

Overgrown Lane, A4 folder with 8 double sided A4 offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013

please contact gallery for price

 

front side

 

back side

 

detail

 

AA BRONSON

INSERTS # 10 (april 10th 2015)

Mark, December 24, 2014, A4 folder with 8 duotone (black & silver) offset prints, each 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2015

please contact gallery for price

 

 

MARIJKE VAN WARMERDAM

INSERTS # 11 (may 27th 2015)

Ten times cheers, set of 10 duotone offset prints, each print 20.4 x 29.1 cm. /8.3 x 11.7 inches, edition 40, signed and numbered, 2015

please contact gallery for price

 

 

CLAIRE FONTAINE

INSERTS # 12 (october 22nd 2015)

Untitled (refugees), set of 8 double sided offset prints on multi-offset 120 grams, each print 20.4 x 29.1 cm. /8.3 x 11.7 inches, edition 40, signed and numbered, 2015

please contact gallery for price

 

 

JOSEPH GRIGELY

INSERTS # 13 (october 18th 2016)

Conversations with Ellen*, 8 offset prints on multi-offset, 120 gr., each print 20.4 x 29.1 cm. /8 x 11.5 inches, edition 40, signed and numbered, 2016

The prints can be hung on the wall with small transparent map pins.

 

*the edition is made after a selection of notes from a conversation between Joseph Grigely and  Ellen Cantor (1961 -2013)

please contact gallery for price

 

 

 

  

 

YANN SERANDOUR

exhibition copy # 6

 

Cactus for the amateur

Photocopy 29.7 x 21 cm.
(With the support of CNEAI, Chatou, Paris (FR)

Endless edition, 2013

Cacti for the amateur

Silkscreen print on bristol 250 grams, 42 x 59.4 cm.

Produced by MOREpublishers, Brussels, 2014

Signed and numbered edition of 10 (+ 4 A.P)

please contact gallery for price

 

 

Exhibition copy is composed of a standard format. An A4 photocopy accompanied by an A2 silkscreen print.

The A2 being an enlargment of the A4 print. Or, a reflection on how the enlargment can add something, twist, or create a shift.

The editions are produced on the occasion of exhibitions and/or presentations.

During these public events the A4 photocopies are distributed to the visitors.

The A4 prints are presented alongside the A2 silkscreen prints.

The term ‘Exhibition Copy’ is refering to the use of copies of works (printed matter, video works, etc) without value. To be used in exhibitions or demonstrations only.

The A4 photocopy has the colophon printed on the backside.

‘Exhibition copy’ is published in an edition of 10 (+ 4 A.P.), signed and numbered.

People are invited to continue the photocopy and distribution process endlessly.

 

Postal Service Series #1

ROBERT BARRY

Nowhere, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

Postal Service Series #2

JOCHEN LEMPERT

Untitled (Hare), offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

 

Postal Service Series #3

KARL HOLMQVIST

Men's shoes, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

Postal Service Series #4

MARTHA ROSLER

Untitled (Postcard), offset print on Invercote 300 gr., 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

JASON DODGE

Postal Service Series #5

Untitled (double addressed big size postcard (one address is that of the purchaser, the other of the publisher), offset print on Invercote 300 gr., 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

JOACHIM KOESTER

Postal Service Series #6

The place of Dead Roads (*), offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

(*) Every muscular contraction contains the history of its origin (Wilhelm Reich)

 

 

URI ARAN

Postal Service Series #7

Time For An Early Mark, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

JONATHAN MONK

Postal Service Series #8

Untitled (postcard), blue stamp on postcard (14.8 x 10.5 cm. /5.8 x 4.3 inches) glued on A3 Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, each copy assembled by hand, edition 25, signed and numbered , edition 25, signed and numbered, 2017

please contact gallery for price

 

 

 

MELIK OHANIAN

Postal Service Series #9

Datcha Project, Zone of No Production, since 2005 - Index # 001 (2008-2017), offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

MANDLA REUTER

Postal Service Series #10

WASSER, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

Postal service series consists of a standard postcard in A6 format printed in 100 copies, sent to a mailing list of the artist, as an edition distributed for free.
Besides, an enlarged version of the same postcard is released in an edition of 25 + 5 A.P as the collector's edition.
The postcard version functions as an autonomous work as well as the annoucement for the collector's edition.

 

BETHAN HUWS

Postal Service Series #11

The sound of rain, offset print on Invercote 300 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 25, signed and numbered, 2017

please contact gallery for price

 

 

Sunday editions, Hors séries, Inserts, Exhibitions copies and Postal Service Series are published by MOREpublishers. Courtesy MOREpublishers and the artists.